ESSE 2008 August 22-26, 2008 :: Department of English :: University of Aarhus :: Denmark
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Seminars

S.01. Cross-linguistic and Cross-cultural Approaches to Phraseology

As there is a growing interest in phraseological research, the seminar will focus on new theoretical perspectives and the latest developments in phraseology, including stylistic investigations in the field of phraseology, the issues of tradition vs creativity in the use of phraseological units in discourse, and cross-linguistic and cross-cultural research. The pedagogical implications of teaching the stylistic use of phraseological units also present great interest, both to native students and L2 learners. Participants are encouraged to present their theoretical conclusions and observations on the basis of systematic studies of empirical material.

Session 1: Sunday, August 24th, 09:00-11:00 (1455-127)

  1. Rosemarie Gläser (University of Leipzig, Germany), 'Phraseological Units in Standard Varieties of English as Indicators of Cultural Identity'
  2. Attila Cserép (University of Debrecen, Hungary), 'Idiom Variation in American English'
  3. Tatiana Fedulenkova (Pomorsky State University, Russia), 'Interaction of Inner Form and Levels of Abstraction in Phraseological Units'
  4. José Luis Oncins-Martínez (University of Extremadura, Spain), 'Phraseological Units across Languages: Observations on the Influence of English on Spanish Phraseology'
  5. Ludmila V. Stolbovaya (Saint-Petersburg State University, Russia), 'The Linguoculturema "The State of a Human Being" and Some Peculiarities of its Verbalization in the Russian and English Languages'

Session 2: Monday, August 25th, 9:00-11:00 (1455-127)

  1. Sabine Fiedler (University of Leipzig, Germany), 'Non-verbal Representations of Idioms: Functions and Stylistic Effects'
  2. Anita Naciscione (Latvian Academy of Culture), 'The Representation of Phraseological Metaphor in Verbal and Visual Discourse: A Cognitive Approach'
  3. Judith Munat (University of Pisa, Italy), 'A Cross-cultural Investigation of Phraseological Units in Italian and English'
  4. Marisa Díez Arroyo (University of Oviedo, Spain), 'Phraseological Units and Stylistic Effect: The Case of Cosmetics Leaflets'
  5. Grzegorz Szpila (Jagiellonian University, Poland), 'Physical Anchoring and Referential Scope of Idioms and Proverbs in Literature'

Session 3: Monday, August 25th, 15:00-17:00 (1453-131)

  1. Irina Galutskih (Zaporozhye National University, Ukraine), 'Historical Core Vocabulary Evolution in Australian and New Zealand Englishes: Cross-Varieties Analysis of Phraseology'
  2. Helen Makarova (Taganrog Institute of Management and Economics, Russia), 'Teaching Culture in English Language Classroom'
  3. Sonja Poulsen (University of Southern Denmark), 'Collocations Can Be Creative, Too: A Study of Creative and Conventional Uses of Collocations in Two Literary Texts'
  4. Robert Lee Revier (University of Aarhus, Denmark), 'Are semantic categories of collocation psychologically real in the mind of foreign language learners?--Exploring test elicitation data for evidence'

S.02. Censorship across Borders: The Reception of English Literature in Twentieth-century Europe

Many famous writers, such as Wells, Woolf, Joyce, Lawrence, Lessing and Rushdie, have suffered censorship throughout the twentieth century, with lasting effects on the publication and reception of their work in many countries. This seminar will explore the official reception and censorship of English literature in twentieth-century Europe, taking into account the social, political and historical context, and analysing the extent to which censorship was determined by national and international concerns. Papers may concentrate on a single author/text or address the question of censorship and reception more generally, looking at issues such as textual form, the mechanics of publishing and bookselling, library policy, obscenity, religion, politics, law, ideology, and government. Comparative analyses (authors, genres, systems) will also be welcomed.

Session 1: Friday, August 22nd, 16:30-18:30 (1453-223)

  1. Jacqueline Hurtley (University of Barcelona, Spain), 'In a Mirror, Darkly: Darío Fernández Flórez, the Writer as Censor as Writer'
  2. Keith Gregor (University of Murcia, Spain), 'Cleaning up their Act: The Role of the Censor in the Reception of Shakespearean Drama in Franco's Spain'
  3. Mónica Olivares (University of Alcalá, Spain), 'Graham Greene, the Catholic Writer who was Banned in Catholic Spain'
  4. Marta Ortega Sáez (University of Barcelona, Spain), 'The Reception of Rosamond Lehmann in Franco's Spain'
  5. Nuria Fernández-Quesada (Pablo de Olavide University, Spain), 'Under the Aegis of the Lord Chamberlain and Franco's Regime: Waiting for Godotand EndgameBowdlerised'

Session 2: Saturday, August 23rd, 09:00-11:30 (1451-225)

  1. Donal Ó Drisceoil (University College Cork, Ireland), '"A long, slow swim through a sewage bed": Frank O'Connor and Irish Literary Censorship'
  2. Julia Carlson (National University of Ireland), 'Five "Fit and Proper Persons": Who Were the Irish Censors?'
  3. John Bates (University of Glasgow, UK), 'The Uses of English Literature in People's Poland, 1946-1960'
  4. Marina Kulinich (Samara State Pedagogical University, Russia), 'George Orwell as Non-Person: History of Censorship in Soviet Russia'
  5. Olga M. Ushakova (Tyumen State University, Russia), 'Who's Afraid of T. S. Eliot? Modernism and Censorship in the Soviet Union'
  6. Sandra Josipovic (University of Belgrade, Serbia), 'The Reception of James Joyce's Work in Twentieth-century Serbia'
  7. Zsófia Gombár (University of Aveiro, Portugal), 'Authoritarian Regimes and the Reception of English Authors in Portugal and Hungary'

S.03. The House of Fiction as the House of Life: Representation of the House in Literature and Culture, 1700-1900

From Paradise Hall to Howard's End, the house offers a deeply complex model of the world - both physical and metaphysical, literal and metaphorical - and may be taken as the shifting expression of a zeitgeist. The Convenors encourage the submission of proposals relating to the topic of the literary, visual and cultural representations of the house and the construction of the domestic space from divergent disciplinary and theoretical perspectives. Topics of discussion may include, but are not limited to, furniture and household objects, the poetics of rooms, professional domesticity, the house as the landscape of existence, utopian and dystopian house spaces, the negotiations of gendered spaces, and such house-based genres as sensation, mystery and detective fiction. Interdisciplinary approaches and and epistemological readings are particularly welcome.

Session 1: Friday, August 22nd, 16:30-18:30 (1455-116)

  1. Barbara Puschmann-Nalenz, (Ruhr University, Bochum, Germany), '". as if it were not a part of the house": The House as Semantic Agent in Clarissa'
  2. Ilse M. Busing (University of Edinburgh, UK), 'The Victorian Haunted House as a Space of Seduction'
  3. Doina Cmeciu (University of Bacau, Romania), 'The House of Satis(fa/i/ction) in Victorian Culture'
  4. Zdenek Beran, (Charles University, Czech Republic), 'The Idea of House As a Place of Return in the Work of Walter Pater'

Session 2: Saturday, August 23rd, 09:00-11:30 (1455-116)

  1. Mascha Gemmeke (University of Greifswald, Germany), 'A House of One's Own: Women as House Owners in the Late Eighteenth Century'
  2. Tracy Fahey (Institute of Technology, Carlow, Ireland), 'A House Divided: Notions of "The Other" in Irish Gothic'
  3. Allan C. Christensen (John Cabot University, Rome, Italy), 'Houses Aflame in Novels by Bulwer Lytton, Ruffini, Ainsworth and Jenkin'
  4. Laura Tommaso, (G. d'Annunzio University, Pescara, Italy), 'Displacement and Enclosure: The Rhetoric of the Domestic Space in Jane Eyre and Wide Sargasso Sea'
  5. Matteo Fabbris (University of Milan, Italy), 'Entering the House of Perdition: the Perverse Space of Venusberg in Late-Victorian Culture'
  6. Francesca Pieri (University of Pisa, Italy), 'Closed Spaces, Women's Rooms, Symbolic Objects: The House in Virginia Woolf's Short Stories'

Session 3: Saturday, August 23rd, 14:00-16:00 (1451-225)

  1. Mirella Billi (University of Tuscia / University of Florence, Italy), 'Jane Austen's Homes and/as the Spaces of the Self'
  2. Patricia Michael (Holy Family University, PA, USA), 'Place, Space and Transformation: Varieties of House and Home in Dickens' Dombey and Son'
  3. Aloisia Sorop (University of Craiova, Romania), 'Negotiating Spaces of Art and Sexual Identity in The Spoils of Poyntonby Henry James'
  4. Ilaria B. Sborgi (University of Florence, Italy), 'Home in Samoa: R. L. Stevenson and the South Pacific'
  5. Janet L. Larson (Rutgers University, USA), 'The Personal is National: Bourton's House of Memory and Cultural Transformation in Mrs. Dalloway'

S.04. Narrative Developments from Chaucer to Defoe

This seminar aims to provide a platform for dialogue between different areas of English Studies. The goal of the seminar is to analyse how narrative technique developed from Chaucer throughout the 15th, 16th and 17th centuries. Panellists will investigate how narrative texts developed during that time. Papers will address issues like voice, narrative time, character development, genre, etc., keeping a diachronic approach at the centre of their readings. Ideally, the panel will stimulate comparative work across the centuries, reading early modem prose through the lens of Chaucer and medieval narratives.

Friday, August 22nd, 16:30-18:30 (1453-131)

  1. Ebbe Klitgĺrd (Roskilde University, Denmark), 'The Encoding of Subjectivity in Chaucer's Wife of Bath's Taleand Pardoner's Tale'
  2. Anna Swärdh (Uppsala University, Sweden), 'From Hell: Late Elizabethan Complaints and the Mirror Tradition'
  3. Rahel Orgis (University of Neuchâtel, Switzerland), '"Lascivious tales and amorous toyes": Structure and Meaning in Lady Mary Wroth's Urania'
  4. Violetta Trofimova (Institute of Foreign Languages, St. Petersburg, Russia), 'Modifications of the Novella in Aphra Behn's and Jane Barker's Prose Fiction'
  5. Gerd Bayer (University of Erlangen, Germany), 'Paratext and Genre: Making 17th-Century Readers'

S.05. Translation and Scottish Literature

Research and teaching on the impact of translation on the multilingual Scottish literary tradition has been growing in recent years, and this scholarly activity has been matched by increasing research into the reception of Scottish literature overseas, facilitated by the online Bibliography of Scottish Literature in Translation (http://boslit.nls.uk). Even so, the implications of intra- and inter-cultural literary translation for a national literature is still an under-researched and under-theorised topic. Papers are therefore invited on the topic of translation into and out of any of the languages of Scotland. We welcome both case studies and theoretical contributions.

Saturday, August 23rd, 09:00-11:30 (1463-222)

  1. Beatrix Hesse (University of Bamberg, Germany), 'R. L. Stevenson's Scottish stories of the supernatural in German'
  2. Olivier Demissy-Cazeilles (University of Geneva, Switzerland), 'Iain Banks in French: translating the foreigner from inside'
  3. Aniela Korzeniowska (University of Warsaw, Poland), 'James Kelman and the Polish Resistance to Transfer'
  4. J. Derrick McClure (University of Aberdeen, UK), 'Goldoni in Scots'
  5. John Corbett (University of Glasgow, UK), 'Looking East: Reassessing the Literary Translations of James Legge'
  6. Adele D'Arcangelo (University of Bologna, Italy), 'Giving voice to the "inhabitant of a less significant world": James Kelman's How Late it Was How Latetranslated into Italian'
  7. Jean Berton, (University of Saint-Etienne, France), 'The linguistic clover-leaf case of Scottish literary texts'

S.06. History and Its Discontents: Reassessing The Political Unconscious and Its Legacy

Cancelled

S.07. Corpora in Discourse Analysis and in Language Teaching

The seminar explores the nexus of three areas related to linguistics: corpus linguistics, discourse analysis, and ELT/ESP. It approaches the corpus as a resource rather than as a goal, focusing on the various ways corpus-based methods are employed in discourse analysis and in teaching / learning. This involves asking what types of structures and levels of language can be explored using corpora; what corpora can tell us about interaction; what the roles and mutual relationships of general and specialized corpora are; what corpus tools and interfaces are needed; as well as what dangers we face when working with corpora.

Session 1, Saturday, August 23rd, 09:00 - 11:30: 'Corpora in Discourse Analysis' (1451-219)

  1. Christian Mair (University of Freiburg, Germany), 'Structural and discourse factors in the spread of ongoing changes in English grammar - the case of specificational clefts'
  2. Maggie Charles (University of Oxford Language Centre, UK), '"Only a few remarks.": Using a corpus to explore the discourse functions of "only" in academic writing'
  3. Pavlína Saldová (Charles University, Czech Republic), 'Parallel text corpora in discourse analysis'
  4. Oliver Mason (Birmingham University, UK), 'Using Corpora for Critical Discourse Analysis'
  5. Angel Garralda (City University of Hong Kong, China), 'The Construction of National Identity in the Spanish Press (1996-2007): A Corpus-Based Study'
  6. Oliver Mason (Birmingham University, UK), 'Variation in usage patterns in a topic-bound diachronic corpus'
  7. Sara Gesuato (University of Padua, Italy), 'Corpus data and elicited data: the case of "have been+ to_infinitive"'

Session 2, Saturday, August 23rd, 14:00 - 16:00: 'Corpora in Language Teaching' (1451-219)

  1. Joan Cutting (Edinburgh University, UK), 'Cross-tabulating between forms, functions and strategies to understand a corpus of staff-student interaction'
  2. Fanny Meunier (Catholic University of Louvain, Belgium), 'Frequent discourse connectors in English speech and writing: comparing native corpora, learner corpora and textbook materials'
  3. Lieven Buysse (European University College Brussels, Belgium), 'Discourse marker so in a diversified spoken EFL corpus'
  4. Martin Herles and Ruth Trinder (Vienna University of Economics and Business Administration, Austria), 'A multi-level corpus-based analysis of The Economistfor use in the language classroom'

S.08. From Hell to Paradise: The Lure of the Occult and Its Cultural Representations in Britain

The seminar proposes to explore the rich British tradition of occult literary representations, linked to white or black magic. Scholars are invited to deepen the study of supernatural events, archetypes, and myths pointing the way to a transcendent heroic self and to the exaltation of paranormal powers and knowledge. The field allows the exploration of such challenging topics as alchemy, voodoo, and necromancy, witches, the life of famous occultists seen as literary characters, the use of astrology, visions of angels or demons, instruments of sorcery and everything else that goes beyond ordinary understanding and which have found their ways in literature from medieval romances to postmodern historical metafictions.

Session 1: Saturday, August 23rd, 14:00-16:00 (1453-229)

  1. Anthony W. Johnson (University of Oulu, Finland), '"The Conquest of Metals" and the Uses of Hermetic Knowledge: Observations on a Previously Unrecorded Alchemical Play of the Later Seventeenth Century'
  2. Simonetta Falchi (University of Sassari, Italy), 'The Wandering Jew and Faust: When the Curse of Immortality Meets the Lethal Thirst of Supernatural Knowledge'
  3. Pia Brînzeu (West University of Timisoara, Romania), 'Sycorax: A Female Prospero?'
  4. Arianna Antonielli (University of Florence, Italy), 'Between Earth andSky: William Blake's esoteric inheritance'

Session 2: Sunday, August 24th, 09:00-11:00 (1453-229)

  1. Adina Ciugureanu (Ovidius University Constanta, Romania), 'The Disenchantment of the Vampire Myth: The Dracula Case'
  2. Sarolta Marinovich-Resch (University of Szeged, Hungary) 'Recycling the vamp(ire): Daphne du Maurier's Rebeccaand Margaret Atwood's Robber Bride'
  3. Aba Carina Pârlog (West University of Timisoara, Romania), 'Alchemy and Vision in Peter Ackroyd's The House of Dr. Dee'
  4. Ulrike Zimmermann (University of Freiburg, Germany), '"They Saw, or believed they saw": A. S. Byatt's Contemporary Ghosts'

Session 3: Monday, August 25th, 09:00-11:00 (1453-229)

  1. György E. Szönyi (University of Szeged, Hungary), 'The "Dark Materials" of Milton and Philip Pullman'
  2. Nephie Christodoulides (University of Cyprus), 'Hermes versus Freud: H. D.'s Corfu "Dangerous Symptoms" as Alchemical Visions'
  3. Marilena Parlati (University of Calabria, Italy), 'Ghostly Clues: Late-Victorian and Edwardian Detectives of the Occult'
  4. Jürgen R. Meyer (University of Bamberg / Martin Luther University, Germany), 'Flann O'Brien's "Omnium": A Quantum of Know-all for Everyone'
  5. Maria Filipa Palma dos Reis (Open University, Portugal), '"Number 13", from the Fictional Standpoint of a British Scholar in Denmark'

S.09. Transnational Identity Politics in British Literature

Multi-ethnic cultural studies have undergone a recent shift from multiculturalism to transnationalism as a result of heightened interconnectivity. This raises questions about how belonging shapes a person's identity, and about definitions of selfhood, definitions that address both internal and external notions of belonging. What is of particular interest here are the incongruences between internal and external notions of self. Our panel invites papers on contemporary British authors such as Monica Ali, Zadie Smith, Mohsim Hamid, Hanan Al-Shayky, Caryl Philips and Hari Kunzru, to name a few, with specific attention to the writer's treatment of internal and external notions of belonging, definitions of self and of identity politics in a transnational context.

Saturday, August 23rd, 09:00-11:30 (1455-127)

  1. Anna Izabela Cichon (University of Wroclaw, Poland), 'Model Identity in V. S. Naipaul's Work: From Ethnic to Transnational Identity'
  2. Jonathan P. A. Sell (Universty of Alcalá, Spain), 'Russell's Paradox and a Motif of Identity in Zadie Smith's The Autograph Man'
  3. Joel Kuortti (University of Joensuu, Finland), 'Transnational Identity and Saumya Balsari's The Cambridge Curry Club'
  4. Ester Gendusa (University of Palermo, Italy), 'Bernardine Evaristo's Lara: Transcultural Dynamics of Identity Formations'
  5. Adriano Elia (University of Rome 'Roma Tre', Italy), 'Mohsin Hamid and Islamophobia'
  6. Josiane Ranguin (University Paris IV Sorbonne, France), 'Borderline Strangers in Caryl Phillips's The Distant Shore'
  7. Silvia Schultermandl (University of Graz, Austria), 'Gender in a Global Era, or, Locating Feminism Within Transnational Identity Politics'
  8. Sebnem Toplu (Ege University, Turkey), 'Gendered Transnational Spaces: Only in Londonby Hanan Al-Shaykh'

S.10. Research and the Literary Periodical: Theory and Methodology

This seminar will explore the theory and methodology of periodical research. Scholars (in the Netherlands and UK, at least) take various and sometimes competing approaches to the study of periodicals and magazines. These will be explored: we may raise the question of whether it is desirable, after discussions about the theory of methodology, to come up with a shared methodology amongst international scholars. We are interested primarily in research methodologies surrounding periodicals (their publishing history, editorial policies etc.) and the increasing digitization of magazines and periodicals. The overall concern with methodological issues means that we are interested in contributors from different literary-historical periods.

Friday, August 22nd, 16:30-18:30 (1463-222)

  1. Antony Rowland (University of Salford, UK), 'Voicesmagazine: working-class testimony and "everyday trauma"'
  2. Peter Buse (University of Salford, UK), 'Ansel Adams, Apertureand Polaroid'
  3. Wolfgang Görtschacher (Salzburg University, Austria), 'Agenda'
  4. Alistair McCleery (Napier University, UK), 'Scottish Literary Periodicals 1979-99'

S.11. Politeness and Interaction

The seminar is intended to provide a forum for the discussion of linguistic and non-linguistic manifestations of politeness phenomena. It invites researchers of various multidisciplinary orientations to share the ways they perceive politeness phenomena as constituting a major factor which participates in structuring sociocultural interaction. It is open to practitioners working within any model of politeness and applying different methodologies on a variety of data. The focus will be placed on some of the central politeness-theoretical notions, such as scientific and lay conceptualization of politeness, different politeness models and their critique, universality of politeness, politeness and social theory, politeness and impoliteness, linguistic and non-linguistic politeness, data and methodology in politeness research, trends in politeness theorizing.

Sunday, August 24th, 09:00-11:00 (1453-223)

  1. Daniela Francesca Virdis (University of Cagliari, Italy), 'Polite Interaction or Cooperative Interaction? Bree's Conversational Style in ABC's Desperate Housewives'
  2. Silvie Válková (Palacký University, Czech Republic), 'My apologies if.'
  3. Maria Georgieva (Sofia University St. Kliment Ohridski, Bulgaria), 'Politeness Relations at an English-Bulgarian Academic Meeting'
  4. Irina Perianova (University of National and World Economy, Bulgaria), 'Food and Politeness'

S.12. Ageing Studies: Age, Illness and the Question of Beauty in Contemporary Anglophone Cultures

Modern medicine's success in prolonging life has led to demographic changes in many Western societies. This development has consequences for a culture's awareness of the last stage of life. One of the strategies of coming to terms with an extended old age is to enlarge the category of youth. The scientific control of the ageing process, however, is challenged by illnesses of the body and the mind. By problematizing age with reference to illness, Western concepts of identity and beauty are called into question. The seminar invites papers on representations of old age and illness in literature and film. Comparative approaches that focus intercultural and gendered perspectives are welcome.

Saturday, August 23rd, 09:00-11:30 (1453-223)

  1. Georgiana Banita (University of Konstanz, Germany), 'Body Fragments: Philip Roth's Late Fiction'
  2. Maricel Oró Piqueras (University of Lleida, Spain), 'The 'dys-appearing' body in Doris Lessing's The Diary of a Good Neighbourand Margaret Forster's Have the Men Had Enough?'
  3. Katja Schumann (University of Hamburg, Germany), 'Old Age and Illness as Framing Tools in Film Narration'
  4. Aagje Swinnen (University of Maastricht, Netherlands), '"The Orchard Walls are High and the Place Death": The Rewriting of Romeo and Julietin Wellkĺm to Veronaby Suzanne Osten'

S.13. Metaphors and Economic Thinking: The Various Roles of Metaphors in Economic Discourse

The focus of this seminar will be on the metaphorical dimension of the language of economics. Metaphors are not only used by the economic press to make economic notions more accessible to the general public; textbook authors, as well as researchers also resort to metaphors in their specialized discourse; so do, for example, official figures such as the Chairmen of Central Banks. Theory-constitutive metaphors have an impact on economic discourse and the metaphors used by economists and specialists can shape future research and influence the general public in its approach and reaction to economic problems. We invite papers on the various roles of metaphors in economic discourse.

Monday, August 25th, 09:00-11:00 (1453-215)

  1. Julio Gimenez (Middlesex University, UK), 'E-metaphors: Role and functions of metaphors in business mediated discourse'
  2. Loredana Fratila (West University of Timisoara, Romania), 'Money metaphors in the journalistic business discourse'
  3. Michael White, Honesto Herrera, Beatriz Villacańas and Marian Amengual (Complutense University, Madrid), 'Metaphor use in the takeover of Endesa'
  4. Catherine Resche (University of Paris 2 - Panthéon-Assas, France), 'Towards a better understanding of metaphoric networks in the language of economics: the importance of theory-constitutive metaphors'

S.14. Mediated Discourse in Native and Non-Native Lingua Franca English

Mediated discourse encompasses a broad range of intralingual, interlingual and intersemiotic forms of communication and recontextualization processes. While translation necessarily entails mediation, only recently have other modes of rewriting been investigated, including the editing and revision by native speakers of texts produced in English by non-native speakers to make them more accessible to the target audience. Despite the intervention of native-speaking editors and/or translators, features of lingua franca English find their way unobserved into the final drafts. The aim of the Seminar is to investigate features of English as a Lingua Franca in translations and other forms of mediated discourse produced in English by native and non-native speakers especially within international academic, institutional and professional settings where native English speakers are a minority.

Saturday, August 23rd, 09:00-11:30 (1453-131)

  1. Cristina Gatti (University of Verona, Italy), 'A semiological and textual approach to commercial film clips: from global language to national semiotics'
  2. Anna Loiacono (Foggia University, Italy), 'Improving Translation through Syntax Arrangement'
  3. Sonia Piotti (Catholic University, Brescia, Italy), 'Surfing the Balance Sheet: Native English vs. International English in Company Annual Reports'
  4. Stefania Taviano (University of Messina, Italy), 'Writing and translating in English as a Lingua Franca'
  5. Annalisa Zanola (University of Brescia, Italy), 'English for International Business or International English for Business? "Mediated Business" for Native and Non-Native English Speakers'

S.15. Methodological Perspectives on Communicative Functions: Definition, Identification and Classification

The notion of communicative function is invoked in discourse studies to define speech acts, genres, text types, and to account for macro/micro properties of linguistic constructs like their rhetorical structure, lexical encoding, and addresser-addressee's role-relationships. Yet, it is an elusive notion, which may refer to: language's role in interaction, a text's purpose, the addresser's illocutionary intent, an utterance/move's semantic contribution to a communicative exchange. We aim to trace a standard characterization of the notion of function by exploring the relationships between functions and the encoding-decoding of meaning, and by discussing criteria for the definition, identification and classification of functions.

Friday, August 22nd, 16:30-18:30 (1453-229)

  1. Thomas Christiansen (University of Salento, Italy), 'Designation and description: the informative function of referring expressions'
  2. Romualdo Ibáńez (Pontificia Catholic University of Valparaiso, Chile), 'Academic written discourse: Approaching the Disciplinary text genre'
  3. Robert Ross (University of Bremen, Germany), 'An Ontological Account of Communicative Function at the Surface Semantics Interface'

S.16. Wholeness, Healing, and Spirituality: African American Women's Revisions of the (Historical and Spiritual) Past

Since the 1980s, there has been a strong commitment on the part of African American women writers to revise the history and culture of North America in order to recast the understanding of the past. As Sally Keenan suggests, this commitment needs to be understood within the context of the postcolonial condition of the contemporary United States where 'internal colonization' has become the dominant experience of many African Americans. Taking her lead, this seminar invites critical responses to African American women writers' contributions to the revisioning of US history, namely from the perspectives of wholeness, spirituality, and healing.

Session 1: Sunday, August 24th, 09:00-11:00 (1455-129)

  1. María Luz Arroyo (National University of Distance Learning, Spain), 'African American Women's Revisions of the Civil Rights Movement'
  2. Kostantinos Blatanis (National and Kapodistrian University of Athens, Greece), '(W)hole of History: Suzan-Lori Parks's The America Play and Topdog/Underdog'
  3. Lei Wang (University of Vaasa, Finland), 'Troublesome Tricksters: Healing in Morrison's Belovedand Love'
  4. Smaranda Stefanovici ('Petru Maior' University, Romania), 'Paule Marshall's "Brooklyn" and the Quest for Wholeness'

Session 2: Monday, August 25th, 09:00-11:00 (1463-226)

  1. Karla Simcíková (University of Ostrava, Czech Republic), '"At a Distance", Yet "Close": Experiential Truth in Octavia Butler's Kindredand J. California Cooper's Family'
  2. Inmaculada Pineda Hernández (University of Malaga, Spain), 'A Tribute to Black Grandmothers: Re-membering the past in Gloria Naylor's Mama Day'
  3. Silvia Castro (University of Malaga, Spain), 'Spirituality and the Search for Wholeness in African American Women's Novels'

S.17. British Poetry and Pop

This session invites papers addressing the various relations between British poetry and popular music, from production and distribution to consumption and critical response. Topics might include but are not restricted to: pop/poetry crossover; pop poetry from the Mersey Sound to Jeremy Reed and beyond; pop as a poetic medium / poetry as a pop medium; pop and the democratisation of poetry; street poetry and intelligent pop; poetry and popular lyrical forms and traditions; the figures of poet and performer; poetry and popular genres (rap, punk, folk, soul); intertextual and other relations between poetry and pop traditions; institutional connections between the poetry and pop worlds.

Session 1: Message and Medium / Performance and Identity: Saturday, August 23rd, 14:00-16:00 (1463-222)

  1. Eva Müller-Zettelmann (University of Vienna, Austria), '"Lavender Bath Oil for the Brain": The Muzak of the Popular Poetry Anthology'
  2. Ines Detmers (Friedrich Schiller University, Jena, Germany), '"Paged Sounds - Staged Words": Imprinted Bodies and Embodied Utterances in Patience Agbabi's Poetry'
  3. Iain Halliday (University of Catania, Italy), 'The lexis in the lyrics: the language of five British pop songs read as poetry'

Session 2: Performance and Protest / Reading Pop: Sunday, August 24th, 09:00-11:00 (1463-222)

  1. Raphaël Costambeys-Kempczynski (University of Paris 3 - Sorbonne Nouvelle, France), 'A generation of rioters and illiterates'
  2. John Sears (Manchester Metropolitan University, UK), 'Crass / Lyric / Punk / Poetry'
  3. Matthew Boswell (University of Salford, UK), '"Holocaust Impiety" in British Punk and Post-Punk Music'
  4. Rob Spence (Edge Hill University, UK), 'Clive James: pop as poetry'

S.18. Digital Aesthetics - Digital Games

Cancelled

S.19. Literary and Cultural Representations of the Child

With its apotheosis in the Romantic period the child figure became firmly established as a major component in Western culture. The past decades have witnessed an increased interest in the child and childhood as historically contingent constructions and have opened up new ways of considering their roles of children and young people in the cultural imagination. Against the history of child representations and recent cultural research about the child this seminar will critically engage with the multiplicity of interdisciplinary perspectives on this central cultural and literary theme. We invite contributions addressing constructions of the child in literature and culture from the Romantic period to the present and across several disciplinary fields.

Session 1: Sunday, August 24th, 09:00-11:00 (1451-225)

  1. Margarida Morgado (Castelo Branco Polytechnic Institute, Portugal), 'Citizens with little capacity to grow into humanity: Cultural representations of the child in contemporary English narratives'
  2. Katherina Dodou (Uppsala University, Sweden), 'Childhood without Children: Ian McEwan and the Art of Studying the Child'
  3. Dorothea Flothow (University of Salzburg, Austria), 'The Child is Father of the Soldier: Constructions of Childhood and Adolescence in British Children's Novels of the First World War'

Session 2: Monday, August 25th, 09:00-11:00 (1451-225)

  1. Gabriella Vöo (University of Pécs, Hungary), 'Children of the Empire: The Problem of Cultural Identity in the American Romance of the Frontier'
  2. Maria Proitsaki (University of Gothenburg, Sweden), 'Empowered Girlhood in Domestic spaces: Representations of African American Girls in the poetry of Nikki Giovanni and Rita Dove'
  3. Ulrika Andersson (University of Gothenburg, Sweden), 'Innocent Victim and Irresponsible Adult: The Twofold Use of the Child in Alan Duff's Once Were Warriors'
  4. Ulla Ratheiser (University of Innsbruck, Austria), 'Rebels With a Cause: Anti-Colonial Child Characters in Maori Renaissance Writing'

S.20. Shakespeare and Discourse Stylistics

From copia to stylistic reticence, Shakespeare's playtexts map out the extreme limits and impasse of verbal communication. The present seminar aims at assessing and highlighting the discourse strategies and structures at stake in conversational exchange and interaction in the very process of capturing the world of human understanding and relationships. Such a process involves the difficulty, sometimes the impossibility, and the exhilaration of mediating that world through language. Shakespeare's playtexts should be envisaged as being rooted in a cultural and rhetorical context in which meaning (and the difficulties of conveying meaning) is a collaborative construction, involving author, text, culture, and reader. Papers are welcome on the range of Shakespeare's negotiations with the problematics of the production of meaning. Areas of exploration include semantics, pragmatics, and semiotics.

Session 1: Saturday, August 23rd, 14:00-16:00 (1463-416)

  1. Magdalena Adamczyk (Poznan University of Technology, Poland), 'Socio-pragmatic enquiry into Shakespeare's use of puns in comedies: the impact of punsters' social roles on the peculiarities of their punning practices'
  2. José L. Oncins Martínez (University of Extremadura, Spain), 'Phraseological modification as a conversational strategy in Shakespeare's dramatic dialogue'
  3. Nicholas Crawford (University of Montevallo, AL, USA), 'The Discourse of Third-Person Self Reference in Shakespeare'
  4. Pascale Drouet (University of Poitiers, France), '"Anon, anon, sir": Popular Discourse, Syntactic Limitations, Ideological Containment in King Henry IV, part 1and Coriolanus'

Session 2: Sunday, August 24th, 09:00-11:00 (1453-215)

  1. Jean-Jacques Chardin (University of Strasbourg 2, France), 'Shakespeare and emblem writing: mirror effects and anamorphosis'
  2. Victoria E. Price (University of Glasgow, UK), 'Troping Prostitution: (Mis)Reading the Female Body in Othello'
  3. Claire Guéron (University of Marne-la-Vallée, France), 'Linguistic traps in King Lear'
  4. Casey Etheridge (University of Mississippi, USA), 'You can hear him, but is he really there?: Jaques as an isolated voice in As You Like It'

S.21. Meaning Construction: Functionalist, Cognitivist and Constructionist Approaches

The seminar aims to promote the interaction and collaboration among researchers interested in recent functionalist, cognitivist and/or constructionist approaches with special focus on present-day English. Specifically, the seminar is intended to be a forum for the discussion of virtually any theoretical and/or descriptive/applied aspect concerning grammar, the lexicon and discourse, and in particular controversial areas such as: the relationship between syntax and all facets of meaning construction, the boundaries between grammar and the lexicon, argument structure configuration, the interaction between lexical and constructional templates, pragmatic inferencing, implicature and illocutionary meaning, and the potential of metonymic operations in speech act configuration.

Session 1: Monday, August 25th, 09:00-11:00 (1453-223)

  1. Lachlan Mackenzie (VU University, Netherlands), 'Evidence for the grammaticalization of "fail to" in modern English'
  2. Silvia Cacchiani (University of Modena and Reggio Emilia, Italy), 'Meaning construction in morphological blends'
  3. Casilda García de la Maza (University of the Basque Country, Spain), 'Syntax meets pragmatics in the middle'
  4. Daniele Franceschi (University of Pisa, Italy), 'The construction of present perfect meanings in contemporary English'
  5. Francisco Ruiz de Mendoza (University of La Rioja, Spain), 'An overview of the Lexical Constructional Model: levels of representation and meaning construction', Part II: 'Subsumption and cueing processes within the LCM'

Session 2: Monday, August 25th, 15:00-17:00 (1451-225)

  1. Marta Degani (University of Verona, Italy), 'Mediating metaphors from a cognitive perspective: a case study of English and Italian political metaphors in translation'
  2. Fawaz Al-Abed Al-Haq (Al al-Bayt University, Jordan), 'The cultural dimension in Teaching Arabic as a Foreign Language (TAFL)'
  3. Vladan Pavlovic (University of Nis, Serbia), 'Cognitive Linguistics and English Language Teaching at English Departments'
  4. Elisabetta Zurru (University of Cagliari, Italy), '"You can't lie. Tell me where Shrek is": Meaning construction in Shrek the Third'
  5. Francisco Gonzálvez-García (University of Almeria, Spain), 'The division of labour between verbal semantics and constructional semantics reconsidered from a contrastive perspective: the case of cognition verbs in English and Spanish'
  6. Annalisa Baicchi (University of Pavia, Italy), 'The change-of-state force-dynamics pattern in meaning construction'

S.22a. Lingua Franca English in Use

Awareness of globalization issues has focused increasing attention on the use of English as a lingua franca in communicative contexts where the participants do not share the same mother tongue. This seminar is open for papers on studies of the use of lingua franca English in various settings (academic, commercial, diplomatic, etc.) and of the characteristics of lingua franca English itself as it has developed in such contexts.

Session 1: Friday, August 22nd, 16:30-18:30 (1451-219)

  1. Anna Mauranen (University of Helsinki, Finland), 'Current trends in ELF research'
  2. Hermine Penz (University of Graz, Austria), 'What do we mean by that? ELF in intercultural project work'
  3. Philip Shaw (University of Stockholm, Sweden), 'Do exchange students accommodate to a lingua franca English norm?'
  4. Ocke-Schwen Bohn (University of Aarhus, Denmark), 'Processing time, accent, and comprehensibility in the perception of native and foreign-accented English by Danish university students'
  5. Margrethe Petersen (Aarhus Business School, University of Aarhus, Denmark), 'Promoting lingua franca English in Europe: perceived patterns of interaction and language use among exchange students at four Scandinavian universities'

Session 2: Saturday, August 23rd, 14:00-16:00 (1455-127)

  1. Tim Caudery (University of Aarhus, Denmark), 'Exchange students' attitudes to lingua franca English'
  2. Paola Vettorel (University of Verona, Italy), 'ELF: a possible mediating factor for teaching culture in the language classroom?'
  3. Hortensia Pârlog (University of Timisoara, Romania), 'English Job Advertisements in the Romanian Press'
  4. Tatiana Iatcu (Petru Maior University, Romania), 'English in use: economy and mass media' (paper presented in Tatiana Iatcu's absence by Smaranda Stefanovici)

S.22b. The Impact of Lingua Franca English

Awareness of globalization issues has focused increasing attention on the use of English as a lingua franca in communicative contexts where the participants do not share the same mother tongue. This seminar is open for papers on studies of the use of lingua franca English in various settings (academic, commercial, diplomatic, etc.) and of the characteristics of lingua franca English itself as it has developed in such contexts.

Monday, August 25th, 15:00-17:00 (1455-127)

  1. Birna Arnbjörnsdóttir (University of Iceland), 'English as a Lingua Franca in Iceland: Consequences for Educational Policy and Implementation'
  2. Ecaterina Popa (Babes-Bolyai University, Romania), 'You Speak English, Yes?'
  3. Anahit Galstyan (Yerevan State University, Armenia), 'The influence of English on Armenian'

S.23. Modern English Syntax: Historical and Comparative Approaches

Syntactic changes that have occurred in English over the past 1500 years have affected both clausal and nominal domains. Some of these changes have occurred in other languages and language families, some have not. Many Romance languages and non-standard varieties of English have multiple negation; standard English does not. Most Germanic languages have developed a dedicated definite article; most Slavic languages have not. This workshop invites comparative approaches (e.g. between English and other languages or between different stages within English) to these and other changes, for example: group genitives, the syntax of numerals, changes involving the verb-second constraint, OV-VO word order, and main verb movement.

Session 1: Friday, August 22nd, 16:30-18:30 (1453-227)

  1. Elly van Gelderen (Arizona State University, USA), 'The position of English in the DP-cycle: A cross-linguistic comparison'
  2. Sten Vikner and Johanna Wood (University of Aarhus, Denmark), 'Indefinite articles and the structure of DP'
  3. Johannes Kizach (University of Aarhus, Denmark), 'Complexity and word order: Postverbal prepositional phrases in English and Russian'
  4. Markéta Malá (Charles University, Czech Republic), 'English declarative yes/noquestions and their Czech counterparts'

Session 2: Saturday, August 23rd, 09:00-11:30 (1463-416)

  1. Ken Ramshřj Christensen (University of Aarhus, Denmark), 'On quantifiers and negation in English'
  2. Paula Prescod (University of Paris III, France), 'The Syntax of Negation and Indefinite Pronouns in Standard English and its Caribbean Creole Varieties'
  3. Kristin M. Eide (University of Trondheim, Norway), 'Finiteness and inflection: The syntax your morphology can afford'
  4. Jonathan White (Dalarna University, Sweden), 'Cross-linguistic variation in result clauses'
  5. Kim Schulte (University of Exeter, UK), 'The case of overt agents in infinitival clauses in English and Ibero-Romance: Origins and explanations'

S.24. Ethics and Trauma in British Fiction since the 1960s

Since the mid-1990s, trauma theory has given attention to war novels, multicultural novels relating trauma with Jewish history or Jewishness, and Holocaust novels written by authors of Jewish origin. Whether such themes appear in realistic or more experimental narratives, we would like to address the relations between ethics and trauma. Thus, the seminar proposes an ethical reading of British novels since the 1960s dealing with war trauma; sexual trauma; the mental disorders ailing a consumerist and hedonist society; environmental-related trauma; trauma of a more impersonal type linked with cultural haunting; or trauma of any other kind.

Session 1: Sunday, August 24th, 09:00-11:00 (1455-116)

  1. Angela Locatelli (University of Bergamo, Italy), 'Conjunctures of Uneasiness: Trauma in Fay Weldon's The Heart of The Countryand in MacEwan's On Chesil Beach'
  2. María Jesús Martínez Alfaro (University of Zaragoza, Spain), 'Where Madness Lies: Holocaust Representation and the Ethics of Form in Martin Amis's Time's Arrow'
  3. Charlotte L. Baker (University of Nottingham, UK), '"Nobody's Meat" - Angela Carter and the Subversion of Sexual Trauma'
  4. Stef Craps (Ghent University, Belgium), 'Testimony, Ventriloquism, and Complicity in the Novels of Caryl Phillips'

Session 2: Monday, August 25th, 09:00-11:00 (1455-116)

  1. Georges Letissier (University of Nantes, France), '"The eternal loop of self-torture": Ethics and Trauma in Ian McEwan's Atonement'
  2. Jakob Winnberg (University of Gothenburg, Sweden), '"Who Laughed at Nagasaki?": The Poetics and Ethics of Trauma in J. G. Ballard's The Atrocity Exhibition'
  3. Lena Steveker (Saarland University, Germany), 'The Ethics of Recognition in Pat Barker's Regeneration Trilogy'
  4. Roger D. Sell (Ĺbo Akademi University, Finland), 'Trauma and the Communicational Ethics of Children's Literature: The Case of Melusine (1988) by Lynne Reid Banks'

S.25. The Fiction of J. R. R. Tolkien: Medieval and Modern

Cancelled

S.26. Bodies and Performativity in Multicultural British Fiction

Judith Butler has famously argued that there is no original core to (gender) identity, but only repetitions of identity and layers of performances. This conception of identity may be limiting as well as liberating. It may condemn the subject to merely reiterate pre-defined roles or, on the contrary, allow the subject to manipulate non-essential or constructed identities. According to this latter view the subject can hence take an active role in his/her identity formation. For this session we would like to invite contributions that examine how conflicting notions of identity have been explored in multicultural British fiction (e.g. Jackie Kay, Caryl Phillips, Hanif Kureishi, Andrea Levy, Leone Ross, Zadie Smith) as it is the racialised (gendered) body that is most vulnerable when it comes to identity formation.

Saturday, August 23rd, 14:00-16:00 (1453-223)

  1. Charis Xinari (European University Cyprus), 'Performing Race in a Time of Crisis in Zadie Smith's White Teeth'
  2. Sofía Muńoz-Valdivieso (University of Malaga, Spain), 'Performing Identity in Hari Kunzru's The Impressionist'
  3. Petra Tournay-Theodotou (European University Cyprus), 'Performative Bondage or The Limits of Performing Race in Caryl Phillips's Dancing in the Dark'
  4. Mirja Kuurola (University of Oulu, Finland), 'Invisible Boundaries: The Performance of Chinese Identity in Patricia Powell's Pagoda'
  5. John A Stotesbury (University of Joensuu, Finland), 'Performance and Migrations of the Body in Suhayl Saadi's Psychoraag'

S.27. Representing 'New' Britain

Within the past decade, a new kind of identity politics has emerged in response to events such as devolution, the Good Friday Agreement, the Iraq war, and the London bombings. This seminar focuses on the manifestation of such changes in contemporary British culture, asking how cultural planners and creative artists have engaged with questions of British, national, regional, or ethnic identity. We would like to invite papers on identity relating to all areas of cultural life, including literature, historiography, visual arts, music, film and TV, museums, fashion, tourism, journalism, and advertising.

Session 1: Re-imagining British identities: Sunday, August 24th, 09:00-11:00 (1453-227)

  1. David Caldwell (National Museum of Scotland, UK), 'The Museum of Scotland and the development of Scottish identities'
  2. Hanne Tange (Aarhus School of Business, University of Aarhus, Denmark), 'The cultural production and representation of Scottish democracy'
  3. Tomasz Niedokos (Catholic University of Lublin, Poland), 'When the Lion Roars Again: In Search of a Strong English/British Identity'

Session 2: Belonging to 'New' Britain: Monday, August 25th, 09:00-11:00 (1453-227)

  1. Hanna Szewczyk (Maria Curie-Sklodowska University, Poland), 'Sartorian Expressions of post-9/11: Reactive Pride Identities among British Muslims in Monika Ali's Brick Laneand Kenneth Glenaan's Yasmin'
  2. Kathleen Starck (University of Osnabrück), 'The End of Multiculturalism and The Bradford Riots'
  3. Peter Leese (Jagiellonian University, Poland), 'Filming the City'

S.28. Changing Narratives in British Media

In postmodern society narrative strategies are applied in films, commercials, television news bulletins, adverts, comics, or newspapers. The poststructuralist approach stresses perspective, subjectivity of interpretation and, consequently, the individual who creates and/or interprets the narrative as a form of representation and inner structure. We are interested in receiving abstracts for papers exploring narrative strategies in British media within the frameworks of mass media theory, communication studies, sociolinguistics, discourse analysis, and media literacy. Suggested topics for papers may include, but are not limited to narrative and genre, narrative and language, narrative and issues of class, ethnicity, gender, sexuality, and politics.

Session 1: Sunday, August 24th, 09:00-11:00 (1453-131)

  1. María José Coperías Aguilar (University of Valencia, Spain), 'Format and narrative in the double version of The Independentand The Times'
  2. John Calton (University of Helsinki, Finland), 'Digging into flat earth news to plant local shoots'
  3. Lucile Davier (University of Geneva, Switzerland), 'Fragmental narratives and framing in the terrorist plot thwarted in London (August 2006)'

Session 2: Monday, August 25th, 09:00-11:00 (1453-131)

  1. Isabel Ermida (University of Minho, Portugal), ' When the trails go cold: British press narratives on Maddie'
  2. Jan Chovanec (Masaryk University, Czech Republic), 'Narrative structures in online sports commentaries'
  3. Slavká Tomascíková (P. J. Safárik University, Kosice, Slovakia), 'Narrative and television news discourse'

S.29. A Full-Bodied Society?

To judge from all too many histories of English-speaking countries, they were peopled by bodiless beings, free from disease as well as from the joys of the flesh, while other histories, by contrast, lay heavy emphasis on the physical nature of humankind, fraught with unquenchable lust and unavoidable ailments. This seminar invites papers that would examine the way the body can be or has been dealt with in social and cultural terms within English-speaking societies, past and present. Papers on health policies and public sanitation or medical practice as well as on food and drink consumption are as welcome as studies on sexuality, ageing or PE.

Monday, August 25th, 09:00-11:00 (1455-129)

  1. Maria Eliferova (Russian State University for Humanities), 'Anglo-Saxon Body and Society'
  2. Astrid M. Fellner (University of Vienna, Austria), '"Compleat Body of Divinity": Visions of Sexuality and the Body in Puritan New England'
  3. François Poirier (University of Paris XIII, France), 'Health on Strike'
  4. Sune Borkfelt (University of Aarhus, Denmark), 'The Non-Human Colonial Subject: The Importance of Animal Bodies to British Imperialism'
  5. Logie Barrow (University of Bremen, Germany), 'Vaccinal Unworthiness of Democracy'

S.30. Film Studies: Fragmentary Forms and Totalizing Narratives

This seminar examines forms of fragmentation and coherence in either deliberate or accidental forms in both older and contemporary films, including their complex production, distribution and reception. Films necessarily consist of fragments and disjointed stills, scenes, sequences, yet their very enjoyment presupposes that audiences fill in the gaps and produce internal narratives of sometimes conjectural coherence. We expect submitted papers to discuss actual films, and we invite contributions on these closely connected issues: film and meaning, authorship, characterization, performance, transmission, spectatorship, cognition and emotion, concepts of seeing in film. We are also interested in films as traumatizing fragments and foreign bodies that viewers experience as hurtful.

Friday, August 22nd, 16:30-18:30 (1451-225)

  1. Andrew McKeown (University of Poitiers, France), 'Musical Montage in Alfred Hitchcock's Rear Window'
  2. Steen Christiansen (Aalborg University, Denmark), 'Fragments of Time'
  3. Jukka Tiusanen (University of Vaasa, Finland), 'Fragmentation and Proliferation: Studio Intervention, Political Censorship and the Cutting-room Floor'
  4. Camelia Elias (Roskilde University, Denmark), 'Carpe Diem in Black and White: Jim Jarmusch's Broken Flowers'

S.31. Reading and Trust in Managed Learning Systems

Never trust the company, trust the product, would be an update of D. H. Lawrence's axiom suitable for many European universities in 2008. What happens to reading in learning systems characterised by managerialism and the hypertrophy of the economic? Management now has a lot to say about reading: it is expensive and inefficient, and if we insist on it, we'd better be quick about it. What does reading have to say about management? And: can trust, as a mechanism for promoting consumer loyalty, at the same time offer a way of approaching the teaching and reading of literature that exceeds commodification? We invite presentations from colleagues working on issues of management, trust, and critical pedagogy.

Friday, August 22nd, 16:30-18:30 (1455-129)

  1. Elizabeth Hoult (Canterbury Christ Church University, UK), 'Resilient Learners in Managed Learning Systems'
  2. Forbes Morlock (Syracuse University, London), 'The Management of the Pupils'
  3. John W. P. Phillips (National University of Singapore), 'The Contest between Dialogue and Secrecy in the Languages of Learning'
  4. Gordon Slethaug (University of Southern Denmark, Kolding), 'What Can We Learn from Management about Reading and Trust?'
  5. Thomas Docherty (University of Warwick, UK), 'The Unmanageability of Reading'

S.32. Literary Journalism and the Canon

While literary journalism has generally been considered an American phenomenon, whose writers include Capote, Mailer, Wolfe, Agee, and Didion, today it is practiced and studied world-wide. And as journalists look more and more to literary devices to tell their stories, and fiction writers to immersion reporting to lend a phenomenal reality to their narratives, scholars of literary journalism have concerted their efforts to define the genre's emerging academic discipline. One immediate issue has surfaced: how will the classic examples of literary journalism over the last century or more be regarded within a given nation's growing literary canon? This seminar will examine to what extent literary journalists past and present - from the U.S. and the U.K., but also from Canada, Ireland, New Zealand, Australia, and South Africa - have contributed to palliating the quarrel of fact versus fiction and have (re)shaped our notion of what constitutes a national 'literature'.

Saturday, August 23rd, 14:00-16:00 (1455-129)

  1. Norman Sims (University of Massachusetts, Amherst, USA), 'History and the Literary Journalism "Canon"'
  2. John C. Hartsock (State University of New York - Cortland, USA), 'Literary Journalism: Transnational Influencings'
  3. Bill Reynolds (Ryerson University, Canada), 'The Origin of Canadian Literary Journalism: Clues, Signposts, Evidence'
  4. Isabelle Meuret (Free University of Brussels, Belgium), 'From Political Fictions to Fixed Ideas: Joan Didion's Unhidden Agenda'
  5. Anastasia Cholivatou (Aristotle University of Thessaloniki, Greece), 'Examples of Literary Journalism in The Greek Press'
  6. Viviane Serfaty (University of Paris-East Marne-la-Vallée, France), 'War Blogs as Literary Journalism'

S.33. Models of Authorship at the Turn of the Millenium: An Interdisciplinary Approach

The notion of authorship has undergone major historical shifts from classical antiquity to the postmodern critique of the author. But even as the concept has been questioned by such poststructuralists as Roland Barthes or Kathy Acker, intellectual property law continues to strengthen the Romantic model. This seminar invites papers exploring the politics of authorship and the issues it raises - creativity, originality, tradition, imitation and its ethics, rewriting, plagiarism, copyright infringement. Among other aspects related to authorship, we would like to ask the participants to discuss how such issues are represented in literary and cultural texts produced in late 20th and early 21st century under the impact of geopolitical redistributions, demographic rearrangements, accelerated cultural flows, and new communication technologies.

Sunday, August 24th, 09:00-11:00 (1463-226)

  1. Cécile Fouache (University of Rouen, France), 'The disappearance of the author in Carol Shields's novels Small Ceremoniesand Swann'
  2. Jens Kirk (Aalborg University, Denmark), 'Authors and authorship on the internet'
  3. Sanna Nyqvist (University of Helsinki, Finland), 'Pastiche and authorship'
  4. Julia Straub (University of Berne, Switzerland), 'Authorship and Authenticity: Bret Easton Ellis's Lunar Park'

S.34. Continuation or Change? Literatures in English in the New Millennium

At the beginning of the millennium, in British, American and other literatures in English there seems to be a tendency to either return to a more traditional neo-realistic or modernist writing on the one hand (Graham Swift, Jonathan Franzen), or to further extend the possibilities of postmodern literature. This session seeks papers that will (1) give an analysis of the tension between the above tendencies as manifested in British, American and/or other literatures in English (the comparative approach is welcome); (2) analyse a manifestation of this tension in particular literary works; (3) analyse the possible change either in traditional (neo-realistic) or in experimental poetics as manifested in the works of particular authors.

Session 1: Monday, August 25th, 15:00-17:00 (1453-223)

  1. David Schauffler (University of Silesia at Katowice, Poland), "Which Way Forward? Literature as Collaboration and Literature as Critique in the 21st Century"
  2. Mary Kate Azcuy (Monmouth University, NJ, USA): 'Postmodern Persephone: Louise Gluck's Averno'
  3. Pawel Stachura (Adam Mickiewicz University, Poland): 'The Unter-schied between England and America: Anne Stevenson in-habiting of poetry'
  4. Ryszard W. Wolny (University of Opole, Poland), 'Advance Australia Fair: On Australian Poetry in the New Millennium'

Session 2: Tuesday, August 26th, 09:00-11:00 (1453-131)

  1. Sřren Hattesen Balle (Aalborg University, Denmark), '"..there is so much to tell now, really now' - the return to realist storytelling in John Ashbery's A Worldly Country(2007)'
  2. Anton Pokrivcák and Silvia Pokrivcákova (Constantine the Philosopher University at Nitra, Slovakia), 'Beyond Ideology: Literature and Aesthetics in Contemporary Literary Theory'
  3. Dan Popescu (University of Oradea, Romania), 'Cutting the Edge of Hysterical Realism'
  4. Michal Peprník (Palacký University, Czech Republic), 'Infusion of postmodern techniques to fantastic realism: J.K. Rowling and Philip Pulman'
  5. Iryna Lysychkina (Academy of the Interior Troops of the Ministry of Internal Affairs of Ukraine), 'Rhythm Perception in Modern Short Stories'

S.35. Life Writing: Writing Lives

The purpose of this seminar is to define and exemplify the increasingly popular genre 'life writing' in academic terms. In order to move beyond the stereotype of mass-market biographies we need critical discussion of different forms and definitions of life writing. We welcome papers seeking to identify and explain the contours and interfaces between producers, subjects and consumers of life writing; between memory and writing; between emotion and narration; fact, fiction and documentary styles; between personal and cultural history and between new textual technologies, e.g. on the Web, and the life of a text.

Session 1: Monday, August 25th, 15:00-17:00 (1455-116)

  1. Jutta Ernst (University of Hildesheim, Germany), 'Multiple Lives: Contemporary Biographical Writing'
  2. Giorgia Riboni (University of Milan, Italy) 'The Life of Lives: From Paper to Web'
  3. Britta Olinder (University of Gothenburg, Sweden) 'Autobiography as Life Writing: The Case of John Hewitt'
  4. Babitha Justin (Indian Institute of Space Science and Technology, Thiruvananthapuram, India), 'Narrating Li(v)es: The Meeting of the Delusive "Self" and the "Other" in Contemporary British Women Travellers'

Session 2: Tuesday, August 26th, 09:00-11:00 (1455-127)

  1. Cecilia Björkén-Nyberg (Halmstad University, Sweden) 'Dear?, Am I Truly Yours?: Private Correspondence as a Field of Public Meanings'
  2. Valentina Castagna (University of Palermo, Italy) 'Paper Houses: remembering a Nomadic Existence, Writing One's Home'
  3. Ole Birk Laursen (Open University, UK) 'Autobiographical Strategies in Black and Asian British'
  4. Vedrana Velickovic (Kingston University, UK) '(M)other's Gift: Personal and Collective History in Vesna Goldsworthy's Chernobyl Strawberries'

S.36. American Little Magazines and Innovative Voices on Language and the Self

American little magazines associated with poetic innovation embodied a new writing with intellectual discoveries about the individual in society and politics in the period 1970-2000. In this sense, poststructuralist concepts were joined by Marxism, and other values set forth by Ludwig Wittgenstein or Jacques Derrida. This proposed seminar will focus on the proliferation of these magazines, and how they were commonly grounded on intellectual dissent, and the centrifugal forces around a diverse cultural America. Suggestive questions, like is 'signification' still proliferating everywhere? Or, does this indefatigable privateness still prevail at the beginning of the 21st century? Survival and tensions in particular literary groups can be analyzed.

Monday, August 25th, 15:00-17:00 (1455-129)

  1. Matilde Martín González (University of La Laguna, Spain), 'Experimentation and the Personal Voice in Little Magazines: Some American Examples'
  2. Bent Sřrensen (Aalborg University, Denmark), 'The Survival of a Dissident Poet: Life in the Little Magazines before and after the Web: The Case of the Evergreen Reviewand Robert Gibbons'
  3. Juan Ignacio Oliva Cruz (University of La Laguna, Spain), '"Radical Women of Colour": Gendered Voices of Dissent and Their Printing Supporters'

S.37. Utopian Futures/The Futures of Utopia

Cancelled

S.38. Bakhtin and Shakespeare: Critical Perspectives

Considering how little Bakhtin wrote on drama in general or Shakespeare in particular, it is striking how popular Bakhtinian approaches to Shakespeare have become over the last thirty years. Focusing in particular on the notions of the 'carnival', 'heteroglossia', 'polyphony' and 'chronotope', the workshop will explore the ways in which Bakhtin-inspired criticism has illuminated or crippled contemporary understanding of Shakespeare's plays in the context of Renaissance culture and vis-ŕ-vis other recent approaches to performing, poetics, discourse and ideology.

Monday, August 25th, 15:00-17:00 (1453-215)

  1. Michael Skovmand (University of Aarhus, Denmark), 'To Be and Not to Be: Shakespeare's Dialogic Soliloquies'
  2. Jürg P. Rosenbusch (University of Basel, Switzerland), 'Shakespeare and Bakhtin: The Production of Hyperspace and the Creation of Intertextual Tension'
  3. Steve Longstaffe (University of Cumbria, UK), 'Performance, Laughter and the Carnivalesque in Shakespeare'
  4. Martin Procházka (Charles University, Czech Republic), 'Carnival and "Other Spaces": Shakespeare between Bakhtin and Foucault'
  5. Ib Johansen (University of Aarhus, Denmark), 'From Tragic to Comic Excess: a Bakhtinian reading of Shakespeare's Titus Andronicusand A Midsummer Night's Dream'

S.39. Tourism between Tradition and Innovation

The focus of this seminar will be cultural tourism in Anglophone societies, defined broadly to include, for example, heritage, coastal and eco-tourism. In recent years, many tourism industries in western societies have experienced decline in terms of visitors and revenue. This has forced destination marketers to reconsider the value of attractions on offer, and the form chosen to represent them. The challenge in this regard has been to achieve and agree on a balance between tradition and innovation, which can boost the industry while retaining a degree of authenticity (in itself a much disputed concept). The conveners welcome proposals which consider any aspect of these developments, as well as historical dimensions of tourism in the English-speaking world.

Saturday, August 23rd, 09:00-11:30 (1453-227)

  1. Sonja Altnöder (Justus-Liebig University, Giessen, Germany), 'Inside/Outside: Cartographies of Travelling London City'
  2. Olga Denti (University of Cagliari, Italy), 'Tourist discourse between tradition and cross-cultural communication'
  3. Claire Campbell (Dalhousie University, Canada), 'Beyond the Bluenose: Rethinking Heritage tourism in Nova Scotia'
  4. Robert C. Thomsen (University of Aarhus, Denmark), 'Changing of the Guard: Innovation and Authenticity in Halifax Heritage Tourism'
  5. Jody W. Pennington (University of Aarhus, Denmark), 'Creating a Resort Image: Climate, Architecture, and the Invention of Tropical Florida'
  6. David Harding (University of Aarhus, Denmark), 'The Stakeholder Role in Defining and Implementing Ecotourism'

S.40. The Intersection of English Education Practices and Workplace Needs

How effective are current English language education practices in international content-oriented curricula such as Marketing and Management as well as translation and technical communication for learners' career needs in working life? How do the linguistic, rhetorical and communication foundations for English language education connect with current industry issues such as language policy, Project Management, etc.? This seminar invites scholars and instructors to look at current and future directions in education for content-oriented curricula in English, as well as translation and technical communication through a combination of perspectives rooted in Linguistics, Culture, Communication, Rhetoric and Knowledge Communication.

Friday, August 22nd, 16:30-18:30 (1453-215)

  1. Elisabet Arnó-Maciŕ (Polytechnic University of Catalonia, Spain), 'English Language Education for Future Language Professionals'
  2. Suzy McAnsh (University of Oulu, Finland), 'Social Practices in the Community of Biochemists: Preparing to make one's own Contribution to the Science'
  3. Anne Schjoldager (Aarhus School of Business, University of Aarhus, Denmark), 'Case Competitions for Students of Specialised Translation: An effective Way of Preparing Students for Professional Life?'
  4. Hilkka Stotesbury (University of Joensuu, Finland), 'A University Course in English Business Communication and the Actual Needs of Finnish Business Executives'

S.41. Wartime Shakespeares: A European Perspective

This seminar studies the fortunes of 'Shakespeare' in wartime during the 20th and 21st centuries, addressing the question how the complex condition of war - involving the choice of alliances, the maintenance of neutrality, or the expression of a pacifist, anti-war stance - has affected various national Shakespeare traditions in Europe as well as relations between Europe and the rest of the world. We invite papers devoted to topics including Shakespeare on stage and screen, in fiction and in translation. We are also interested in discussions of Shakespearean examples involving actors, directors, soldiers, poets, academics, politicians, journalists and publishers; the fate of theatre structures and library collections in times of political turmoil; and the so-called afterlives of wartime Shakespeare in postwar poetry, drama, fiction, film, and academe.

Session 1: Monday, August 25th, 09:00-11:00 (1463-222)

  1. Simon Barker (University of Gloucestershire, UK), 'We gather honey from the weed': Shakespearean Manoeuvres in the Deserts of Iraq'
  2. Jacek Fabiszak (Adam Mickiewicz University, Poland), 'Mapping new wars with Shakespeare: Grzegorz Jarzyna's 2007 Macbeth'
  3. Martin Orkin (University of Haifa, Israel), 'Shakespeare in the Middle East'
  4. Dong-Ha Seo (Shakespeare Institute, UK), 'Shakespeare for Soldiers'

Session 2: Monday, August 25th, 15:00-17:00 (1453-227)

  1. Elena Domínguez (Complutense University, Spain) and Rubén Jarazo (University of Coruńa, Spain), 'Álvaro Cunqueiro's O Incerto Seńor Don Hamlet, Príncipe de Dinamarca(1958): A Galician Adaptation of Shakespeare under Franco's Dictatorship'
  2. Refik Kadija ('Luigj Gurakuqi' University of Shkoder, Albania), 'Wartime Shakespeares: An Albanian Perspective'
  3. Madalina Nicolaescu (University of Bucharest, Romania), 'Satirizing War: Romanian Troilus and Cressida'
  4. Antonella Piazza and Pietro Garzillo (University of Salerno, Italy), 'Tribal Wars: Scottish and Neapolitan Clans: A Reading of Macbeth and Gomorrahthrough different Media'

Session 3: Tuesday, August 26th, 09:00-11:00 (1453-229)

  1. Val Brodie (Shakespeare Institute, UK), 'Music in early twentieth-century performances of Henry V'
  2. Clara Calvo (University of Murcia, Spain), 'Books as War Memorials: Shakespeare and the Great War'
  3. Juan Francisco Cerdá (University of Murcia, Spain), 'Early feminist Shrews: Gender truce in WWI and the Interbellum'
  4. Anna Cetera (University of Warsaw, Poland), 'Is Elsinore worth a return? Émigré Hamlet in The Marriage(1946) by Witold Gombrowicz'
  5. Ton Hoenselaars (Utrecht University, Netherlands), 'Camp Shakespeare'

S.42. Intertextuality

The term 'Intertextuality' has been used in so many ways since it was introduced by Kristeva in the late sixties that it may no longer retain much meaning, at least without further definition. How, then, are we to account for all the ways in which we move beyond what the authors of various texts (Milton, Blake, Joyce are some pertinent examples) may consciously intend in the way of allusion? What, indeed, has happened to the notion of the multiple discursive contexts of a 'text'? This seminar will review some of the ways in which the original idea has migrated. Early Modern scholars, for example, may be unaware of developments in more modern fields, or among medievalists, all of whom are welcome to participate.

Session 1: Monday, August 25th, 15:00-17:00 (1451-219)

  1. Neil Forsyth (University of Lausanne, Switzerland), 'Milton's Womb'
  2. Mariacristina Bertoli (University of Fribourg, Switzerland), 'Structural Intertextuality in Mary Salter'
  3. Thomas Kullman (University of Osnabrück, Germany), 'Intertextual Patterns in Tolkien'
  4. Carmen Lara-Rallo (University of Malaga, Spain), 'Images of Intertextuality'

Session 2: Tuesday, August 26th, 09:00-11:00 (1451-219)

  1. Onno Kosters (Utrecht University, Netherlands), 'Translating intertextuality in James Joyce's Ulysses'
  2. Jens Fredslund (University of Aarhus, Denmark), '"No Story Comes From Nowhere", or the Dentist from Finding Nemo'

S.43. All Manners of Silence: Non-Verbal Communication in the Long 18th Century

Silence as an ambivalent means of communication is still under- and misrepresented in literary scholarship. Proverbially, silence is said to speak 'louder than words', while being regarded as equivalent to saying nothing, or having nothing to say: 'silence is consent'. Some interpretations causally link silence with ignorance - 'the best substitute for brains is silence' - whereas others extol its wisdom, as in 'silence is golden'. This seminar will explore literary representations of silence as a direct and indirect means of power. Participants are invited to debate issues such as silence and social norms and forms; patterns of (dis)empowerment on different (extra)textual levels; hermeneutic functions of silence; structural and interactive functions of silence as plot element and in relation to irony and humour.

Tuesday, August 26th, 09:00-11:00 (1463-222)

  1. Sigrid Rieuwerts (Johannes-Gutenberg University, Mainz, Germany), 'The Power of Silence'
  2. Elisabetta Cecconi (University of Florence, Italy), 'Prudence or hypocrisy? The many silences of Fanny Price in Jane Austen's Mansfield Park'
  3. Barbara Hughes (Dún Laoghaire Institute of Art, Design and Technology, Ireland), '"Bound down to Silence by Fear, Modesty and Education": Non-verbal communication in the memoirs and diaries of eighteenth-century Ireland'
  4. Georgia Christinidis (Humboldt University, Germany), 'The silence of authenticity'
  5. Eva Braidwood (Oulu University, Finland), 'Scenes, figures and memories: Toward an archaeology of silence in Wordsworth's poetry'

S.44. Towards the Bicentenary: New Bearings in European Dickens Criticism

This seminar will provide a forum for participants to discuss new foci in European Dickens criticism at a time of renewed energies connected with the approaching bicentenary in 2012. One obvious example of such renewal is an emerging focus on the history of Dickens criticism and reception in a range of European countries hitherto largely neglected by the Anglo-American Dickens industry. But there are many other lively new developments - in Dickens and the radical tradition, in gender studies, in film studies, in the interdisciplary study of text and illustration, and not least in the neglected area of Dickens's representation of sexuality. Participants are invited to contribute, either by focussing on the topic of Dickens studies in their own country, or by exploring any emergent trend in Dickens criticism.

Session 1: Monday, August 25th, 15:00-17:00 (1463-222)

  1. Michael Hollington (University of Toulouse, France), 'Dickens in Europe'
  2. Monica Bottez (University of Bucharest, Romania), 'Dickens in Romania'
  3. Inara Peneze (University of Latvia), 'The Reception of Dickens in Latvian'
  4. Francesca Orestano (University of Milan, Italy), 'Dickens in distress: the politics of his reception in Italy'

Session 2: Tuesday, August 26th, 09:00-11:00 (1453-215)

  1. Norbert Lennartz (University of Bonn, Germany), 'Dickens and the Romantic Heritage'
  2. Alessandro Vescovi (University of Milan, Italy), [A Christmas Carol in Italy]
  3. Zelma Catalan (Sofia University, Bulgaria), 'Whose is Oliver Twist? The cultural positioning of Dickens's novel and its TV versions'
  4. Holly Furneaux (University of Leicester, UK), 'Queer Dickens'

S.45. Writing-Machines and Literature

When the principal of the Royal Institute for deaf-mutes in Copenhagen, Rasmus Malling-Hansen, invented the Writing Ball in 1865, he became a pioneer of an ongoing technological revolution. Since then, mechanical, electric and digital typewriters have provided office workers and other writers with new means of producing, mediating, distributing and storing discourse. This seminar will explore the significance of writing-machines in modern literature and culture. Contributions may focus on the role of discourse technologies in the formation of modern literature and culture involving, but not restricted to, issues of secretarial culture, body culture, gender, media, technology and globalization.

Tuesday, August 26th, 09:00-11:00 (1453-227)

  1. Knut Ove Eliassen (Norwegian University of Science and Technology), 'The Death of a Medium: From the Literary History of the Writing Tablet'
  2. Peter Simonsen (University of Southern Denmark), 'Typewriter Poetry: Pound, Eliot, Cummings'
  3. Jakob Stougaard-Nielsen (University College London, UK), 'Novel Productions: Henry James, Secretaries and the Discipline of Textual Production'

S.46. Teaching English as a Language of Translation

This seminar invites contributions on issues related to the teaching of English for or through translation with elicitation of problematic aspects in general English classes, ESP and translator-training programs. Debates on the following questions are welcomed: Is translation an exercise for language acquisition? How is English dealt with in translation classes (specific methodology)? Are English classes in translator-training different? What is being taught: standard English or international/global English? What is the impact of English translations on pedagogical practices in standard language classrooms vs. translator training? Additionally, we expect to touch upon other methodological and pedagogical aspects such as curriculum development, syllabus design and in-class training methodology specific for training programmes where English is taught as a language of translation and/or a language of global communication/mediation.

Tuesday, August 26th, 09:00-11:00 (1453-223)

  1. Anca Greere (Babes-Bolyai University, Romania), 'Developing English Translation Competence in Higher Education Training: Methodological Considerations'
  2. Viviana Gaballo (University of Salento, Italy), 'The umbilical cord cut: English as taught in translator-training programs'
  3. Bengu Aksu Atac (Atilim University, Turkey), 'English For Translation Versus Translation For English: A Qualitative Study'
  4. Karim Sadeghi (Urmia University, Iran), 'The art of "Transition": The case of Iranian EFL learners'
  5. Mari Pakkala-Weckström (University of Helsinki, Finland), 'Learning the ropes: How first-year translation students develop their "translator identity"'
  6. Paola Faini (University of Rome III, Italy), 'Developing the sensibility to language effects in translator-training courses'

S.47. Emergent Minds: Thinking with Feeling

This seminar will explore the emergence of ideas of consciousness and the mind-body relationship in literature from the medieval period onwards, with a special emphasis on the interrelation of science, medicine and the arts. The focus will be on the ways that literature has always engaged with discourses such as medicine and philosophy, but has also proposed alternative models of reasoning which incorporate affect and engage with moral thinking. Modern science has also moved away from Cartesian reductionism to bring together mind and body, and incorporate notions of affect and thinking in cognitive models. Contributors are invited to explore the topic of thinking with feeling in relation to any literary period or writer.

Session 1: Monday, August 25th, 15:00-17:00 (1453-229)

  1. Corinne Saunders (University of Durham, UK), 'Thought and Affect in Medieval Writing'
  2. Jan Frans Van Dijkhuizen (University of Leiden, Netherlands), 'Truly Essentiall and Corporall Sufferances': The Meaning of Pain in Florio's Montaigne'
  3. Cristina Paoletti (University of Bolgona, Italy), 'Morals and Sentiment in Mary Wollstonecraft's Thought'
  4. Philipp Erchinger (University of Erlangen-Nuremberg, Germany), 'Emergent Agency in 19th-Century Literature'
  5. Milena Kovacevic (University of Nova Gorica, Slovenia), 'Logic of the Soul'

Session 2: Tuesday, August 26th, 09:00-11:00 (1451-225)

  1. Nieves Pascual (University of Jaén, Spain), 'Affecting Indianness or the Indian Affect'
  2. Patricia Waugh (University of Durham, UK), 'Cognitive affect: the literary "moment" in modern literature and aesthetics'
  3. Merja Polvinen (University of Helsinki, Finland), 'Jorie Graham's Bodily Connection to Reality'
  4. David Fuller (University of Durham, UK), 'Voice, gesture, and the performative aspects of cognition'

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Last modified: 19 August 2008